VIRTUAL NEWS
New York, USA Spring Edition 2026
Sitting on the Window, Oil on Canvas, 2025
Written by, Emma Wright, April 9, 2026
When I first discovered Nina Sechko’s portraiture, I was immediately entranced by her dreamlike compositions, striking color choices, and the mysterious geometric girl reappearing across her work. On the surface, Nina Sechko’s work appears computer-generated. Taking a closer look, her compositions appear to be meticulously embroidered tapestries, but in fact, they are large-scale oil paintings executed to imitate Russian embroidery traditions. Intrigued to know more about her style, technique, and subject matter, I set out to interview the Russian artist and mother.
Throughout the interview, I began to realize the power of portraiture to go beyond representation of form, and a question continued occurring to me, “What happens when memory idealizes rather than preserves?” The following conversation reveals a deep human impulse: to reconstruct the past not as it was, but as we wished it to be by filtering out pain in favor of love and light. Sechko is an example to emerging artists of what is possible when we choose to remember the positive.
Read the whole interview here.
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