VIRTUAL NEWS
New York, USA Spring Edition 2026
Sitting on the Window, Oil on Canvas, 2025
Written by, Emma Wright, April 9, 2026
When I first discovered Nina Sechko’s portraiture, I was immediately entranced by her dreamlike compositions, striking color choices, and the mysterious geometric girl reappearing across her work. On the surface, Nina Sechko’s work appears computer-generated. Taking a closer look, her compositions appear to be meticulously embroidered tapestries, but in fact, they are large-scale oil paintings executed to imitate Russian embroidery traditions. Intrigued to know more about her style, technique, and subject matter, I set out to interview the Russian artist and mother.
Throughout the interview, I began to realize the power of portraiture to go beyond representation of form, and a question continued occurring to me, “What happens when memory idealizes rather than preserves?” The following conversation reveals a deep human impulse: to reconstruct the past not as it was, but as we wished it to be by filtering out pain in favor of love and light. Sechko is an example to emerging artists of what is possible when we choose to remember the positive.
Read the whole interview here.
Written by, Sophia Hart, June 2, 2026
Somewhere No One Goes, Acrylic on Canvas, 2026
When I was growing up, I often thought about how unlikely my existence was. I would wonder, why this place, why this time in history, why these parents? I’d think of the billion other possibilities and childhood experiences on Earth. Each distinctly rare and special. As the novelty of existing wears off a bit, there are key moments that spark the nostalgia of that childhood wonder, like discovering the artwork of Daryl Feril.
I was immediately pulled into the story being told. A boy alone in the wilderness, trekking beneath bowing trees and shady leaves. Wanting to know more, I requested an interview. As we exchanged a few early words, Feril admitted he had recently committed to painting, sacrificing a successful illustration career. With this in mind, I wrote a handful of interview questions.
Read the full interview here.
Written by Akela Craig, May 26, 2026
Tiffany Bozic, Flora and Fawn, 2016, Acrylic
As live experience declines, nature is increasingly encountered through mediated forms–screens, images, and immersive constructed environments. In this context, the natural world has re-emerged as a critical site for artistic engagement, but often in forms shaped by these conditions, where visual intensity and simulated experience begin to stand in for direct access. This shift invites comparison to 19th-century Romanticism, which emerged under similarly transformative conditions.
Romanticism reflected a collective artistic desire to return to the sublime in nature, to intense emotion, and to individualism. 21st-century artists respond to a technological revolution and generations of Industrial progress. This response might be termed Neo-Romanticism, a movement characterized by hyperreal, surreal, and augmented depictions of the natural world.
Written by Sophia Layton, May 22, 2026
Anton Dubrovin, Winter 26, 2026, Creative Code
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